|
"huge Mac fan.
It's probably my exposure to, and high expectations of, the lower
levels of computing technology that led me to be so keen on Macs,"
Much of Hook's work
is done for the Australian government, and involves systems design
as well as "traditional" database work. As such, he has first-hand
insight into the structural workings of workstation and network
technologies, and is a self-styled "huge Mac fan. It's probably
my exposure to, and high expectations of, the lower levels of computing
technology that led me to be so keen on Macs," he explains. "My
current beige G3 is, oddly, only the second I've owned, but I think
it says something about the Mac that the LC575 I had before that
was in active use daily for over five years, and still continues
in use by a mate for desktop publishing."
Stuart Murdoch,
a Melbourne-based artist who teaches photography at a post-high
school level known in Australia as TAFE (Technical and Further Education),
sees a similar feeling in the professional imaging community.
"The majority of Macs are owned by imaging professionals in Australia,"
he explains. "They use them because of stability and ease of use,
mainly. I know one person who is not a graphics pro who owns a Mac
and she uses it for its ease of use."
Murdoch, who now works on a beige G3 and plans one day to "get rid
of my wet darkroom and do everything digitally," has been using
Macs for about five years now, save for one work-related stint on
the PC platform. "I did for a while in 97/98 work for a state institution
that had a policy of IBM only. I learned a lot about computers in
general in that six months. And the problems that I had with [my
PC] made it a very unproductive tool. It kept the help desk guys
busy, though!"
Despite the hardcore
Apple brand loyalty displayed by computer professionals like Healy,
Hook ,and Murdoch, the fact seems to remain that Apple has done
nothing short of an overwhelmingly poor job of marketing the Macintosh
in Australia. Hook pulls no punches when describing Apple's business
strategies Down Under. "Apple and Macs have a serious image problem
in Australia," he explains. "The general perception of the Mac is
that it's too expensive and doesn't have any software. Obviously
this is a misperception, but it's a very deep-seated one." He goes
on to describe a phenomenon not at all unknown to Mac advocates
in the U.S. "There is an ingrained and completely unfounded bias
amongst IT professionals against Macs as desktop clients. Then parents
and schools choose Wintel boxes because thats what's in use, and
what the 'professionals' recommend."
|
|

Like his countrymen, Hook has seen the beginning of an upswing of
late, but also says that Apple's work Down Under has only just begun.
"The uptake of Macs has been recent, and almost definitely due to
the iMac," he says. "Most parents and many older people wanted a
machine that they could understand, and the iMac arrived at the
right time to be the machine of choice." Still, the company's marketing
strategy has been almost nonexistent for much of the nineties. "Apple's
presence - particularly its advertising - has always been appalling.
There's been no attempt to debunk the myths of the superiority of
the Wintel platform. The only time in a decade that Apple did a
good marketing job was with the introduction of the iMac - and the
market responded." Though optimistic, Hook offers this decidedly
unbiased view of the company's business history in his homeland,
"To be completely blunt, Apple's marketing presence and approach
in Australia could be held up as an example of how not to market
successfully."

With the iMac, and
the iBook soon to follow, Apple has begun to reverse that trend
in Australia, and the computer professionals there can see a future
in which more and more of their friends and neighbors begin to appreciate
the Macs elegance, stability, and ease of use. In a market stocked
to the brim with cheap, no-name Wintel boxes, only time will tell,
though, if our mates Down Under can be persuaded by the folks in
Cupertino to give Macintosh a go.
|